Dan hayden system designer for facebook3/25/2023 Although that form of criticality is productive in its own right, critical practice is more about expressing disciplinary issues or concerns in ways that help define and strengthen the graphic design discipline. DESIGN SHOULD BE CAPABLE OF GENERATING ITS OWN MEANING FROM ITS OWN RESOURCESĬritical practice is not the same as expressing opinion or criticizing a finished design it is not about taking to the comments section of a blog to tear down a designer or a design. ![]() ![]() Before I jump into my project, though, I’d like to share the ideas and resources which laid the framework for my exploration. These ideas, I thought, could build towards interesting applications for critical practice. Inspired by relational design, I sought to eliminate disciplinary boundaries of my university (a school of art and design) to permit a cross-disciplinary dialog about graphic design. I explored immateriality in two ways: 1) as a research-based process that enables me to bring new ideas to my practice and share them with others 2) as immaterial design, forgoing a designed artifact for a designed experience, that permits a community to participate in my project. Inspired by Klein, I sought ways to immaterialize design, and to show that the doing nothing aspects of design-like research, writing, and organizing content-are viable parts of practice. The Center for Sensibility, my thesis project, antagonized the practice of design and sought ways to productively work against prescribed notions of design practice. Through Klein, I sought to borrow his archetype of antagonizing a creative discipline, in addition to some of his concepts. Through writing (which he did prolifically) and creating (in ways that expanded the painting medium), his creations antagonized what painting could be.īut, rather than annihilating the practice, Klein used his tools to re-imagine the very nature of his discipline, and it is his form of criticality that I am most interested in borrowing to draw potential parallels to a critical practice in graphic design discipline. ![]() Yet, perhaps not as many know of his radical criticality: Yves Klein critically rejected preconceived notions of painting in ways that productively afforded new ideas for the medium. Many know Klein as Le Monochrome, the man who patented a unique painting formula that resulted in his brilliant, and famous, IKB canvases. To understand this photo of Yves Klein-holding a levitating flame in, yes, pre-Photoshop days-is to understand him as both a playful provocateur and also a critical creator. IT IS THE SIGN THAT CONVEYS TO THE INEXPERIENCED ARTIST THAT THE ARCHETYPE OF A NEW STATE OF THINGS IS READY, THAT IS HAS RIPENED, THAT IT CAN BE BROUGHT FORTH INTO THE WORLD (But first some background information.) THE WHY NOT IN THE LIFE OF AN ARTIST IS WHAT DECIDES EVERYTHING IT IS DESTINY.
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